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Art Exhibit Explodes onto the Scene
at the Centre for Addiction and Mental Health

FOR IMMEDIATE RELEASE
June 8, 2001
 
Being Scene(Toronto, Ont.) The Centre for Addiction and Mental Health opens its doors to the public for its second annual art show on June 27 with a new name, more artists and the start of a permanent art collection.

Being Scene is a juried show that will feature 85 works by more than 50 artists and will run until June, 2002 at the Centre's Queen Street site, the Clarke site and the Addiction Research Foundation site.

The show (formerly called Images 2000) was well received last year and this year's show is expected to entice and excite an even broader audience.

"We were delighted with the interest in and reaction to last year's show," said Lisa Brown, director of the Centre's Workman Theatre and the show's organizer.

The show was popular for a number of reasons she said. "Firstly, because we have so many artists involved, we have a huge range of topics, colours, styles and medium. For example, this year's show includes everything from small masks 3" x 5" and pottery, dinner plate size, to larger oils and mixed media pieces 7' x 8'. Secondly, several of the featured artists are fairly well established on the Toronto art scene, e.g. Danae Chambers, so we're attracting a nice blend of art lovers and the general public. As well, the Centre is ideally situated along the Queen St. strip where a number of alternative galleries have recently sprung up.

All artists are or have been clients of the Centre. All have been paid a fee for the works selected and most pieces will be available for sale during the run of the show.

Being Scene will kick off on June 27 with the opening ceremony at 12:00 noon in the main lobby of the Queen St. W. site. Works from the permanent collection will be on display in the Workman Theatre while Being Scene works will be hung in the halls.

The opening day will also feature a public lecture - Self-management of Post-traumatic Stress, by Barry Cohen, co-founder of the post-traumatic program at the Psychiatric Institute of Washington, D.C. Cohen will also participate June 28 in an art therapy workshop on the history of art in diagnosis, along with Anne Mills, director of the art therapy program at George Washington University, in Washington D.C.

The permanent collection is a much-needed development that will collect, catalogue and showcase a large number of works that the Centre has received over the years.

Among the works that will be on display:
 

(1) Murals in the Mall -- Four artists were selected from a group of about 20 to produce a special display of four large works for the Centre's mall area where there is a lot of traffic as well as places to sit and read or soak up the art.
 
(2) A year-long Millennium Project resulted in a 9 by 5 ft. piece entitled Northern Mystery. Visual images were painted on a large canvas, representing the way we make connections.
 
(3) Two quilts created for the International Women's Day celebrations in 2000. The quilts were created to commemorate the millennium International Women's Day. Inspired by concern for women's mental health and addictions, 50 to 60 CAMH staff, clients and community partners created the colourful squares using a variety of fabrics. Packages of material and instructions were handed out to clients such as those in art therapy programs and later assembled into quilts. Finished quilts have been on display at the main entrance of the ARF site and at Queen St.
 
(4) A number of works are included by Susan Schellenberg, whose earlier career as a public health nurse encouraged her socially aware art. A mother of five who has produced educational programming, she has created a number of dream paintings concerned with violence against women, as well as a play, My Old Movie of Dreams, which she also produced. In 1998, Cara Operations Ltd. purchased her Shedding Skins dream art and text which has been displayed at BCE Place, as well as the CAMH main lobby where it has been on permanent display since December 1999.

 
Being Scene's jurors include: Megan Williams, a teacher of creative process development as well as painting and drawing the figure at the Toronto School of Art; Brenda McCrank, a teacher of drawing, painting and design at Sheridan College; and Brian Hladin, a visual artist and illustrator who has taught at Central Technical Art Centre, Humber College Design Foundation, the Sheridan College School of Animation Arts and Design and the Toronto School of Art.

One painting -- a portrait of Pierre Elliot Trudeau, by Danae Chambers -- is on loan from a private collector and will hang with the Being Scene exhibit.

The Centre for Addiction and Mental Health was created in 1998 through the merger of the Addiction Research Foundation, the Clarke Institute of Psychiatry, the Donwood Institute and the Queen St. Mental Health Centre. The centre is a Pan American Health Organization and World Health Organization Collaborating Centre and is a teaching hospital fully affiliated with the University of Toronto.
 

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For further information, contact:
Cheryl Saracini
Workman Theatre Project
(416)583-4339

 

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PDF of the Images 2001 press release
Images 2000
Workman Theatre Project
PDF Version of the Images 2000 Catalogue
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